Follow slide variations. You will need a slippery floor and slippery shoes to make these slides impressive. In general, these slides are independent from your partner so they are great for being musical and flashy even when your leader is boring and not leading interesting variations.
Leader slide variations. You will need a slippery floor and slippery shoes to make these slides impressive. In general, these slides are independent from your partner so they are great for being musical and flashy even when your followerer is boring or not ready for fancy variations.
Get ready to lead and follow turns in 3 different rythms (half time, full time & syncopated) and on both sides of the body using the Yo-Yo shape. This assumes you are comfortable with the solo traveling turning drills found in core technique.
Originally taught to the invitation group at Lindy Shock (a dance event in Budapest, Hungary), this seemingly simple exercise combines a ton of skills that are difficult to accurately execute. Both sides of the body should be drilled equally to make you a more wholistic dancer.
This is a great shape of a move that can easily interchange 3 major ryhthms we use in Lindy Hop (half time, full time & syncopated). Start by getting the shape with each ryhthm independently before you move on to intermixing the rhythms. Once mastered, you will have the ability to be more musical with your dancing becasue you will be able to instantaneously adjust your rhythm during a social dance to match the music more precisely and creatively.
A fun cross hands hold position that can use the 3 major ryhthms we use in Lindy Hop (half time, full time & syncopated). This Challenge will give you a lot of variations that you can create with your partner and the ability to be more musical with your dancing.
This is an important skill set to have as a Lindy Hopper because side by side Charleston is used so frequently. The exciting thing about this challenge is gaining the ability to actually lead and follow the difference between single and multiple kicks. Traditionally these moves were primarily visual or semi-choreographies, but now you can use physical connection to gain more control, be more precise and most importantly, be more musical.
This Challenge expands on the simple concept of a cross over step, but goes into the details on how to actually lead and follow it with your partner. Take your time and understand the connection principles before you race ahead and just mimic the shape. The goal is control and connection with your partner that will make social dancing more exciting and your musicality more robust.
Here's a solid 3 variations to make leaders' Swing Outs look more stylish. The emphasize is on solo practice intitially so you learn how to control your body. Only after it feels successful solo should you then attempt these with a willing partner.
Jo uses the Swing Out framework and some set styling options as a way to establish a base of movement so followers can eventually create their own variations. It's important to practice the movement solo initially before attempting with a partner. Once you have a willing Leader, ask them to lead short sequences of just Swing Outs so you can really burn into muscle memory each new variation.
